| Title | Pages |
|---|
| "Apocalypse Now" and "Natural Born Killers". | 8 |
| Alice Doesn't Live Here Anymore in its Social-Historical Context. | 7 |
| As Good As It Gets : A Psychological Analysis. | 4 |
| A Beautiful Mind. | 3 |
| A Cinematographic Analysis of Metropolis by Fritz Lang | 3 |
| A Compare and Contrast of the Movie Barry Lyndon by Stanley Kubrick with the Play by Moliere The Would-Be Gentleman . | 3 |
| A Comparison and Contrast of "The Odyssey" by Homer and the Film: "Oh Brother Where Art Thou" By Joel Coen. | 3 |
| A Comparison of The Film: The Matrix and Plato's Cave Allegory. | 6 |
| A Comparison of Two Films to Psychoanalytical and Post- Colonial Feminist Theory. | 12 |
| A Comparison of the Odyssey by Homer and the Movie Castaway. | 5 |
| A Critical Analysis of Three Movies by Lang, Fellini and Branagh. | 5 |
| A Critical View of Killing Us Softly 3: Advertisings Images of Women and the Song Kim by Eminem | 3 |
| A Deaf Perception of the Movie: The Crime of Father Amora. | 3 |
| A Deaf Perception the Movie: The Crime of Father Amora. | 2 |
| A Description of the French New Wave of Film. | 5 |
| A Discussion of Metz's and Mulvey's Views on Voyeurism, Fetishism and Identification with Respect to Howard Hawk's The Big Sleep . | 9 |
| A Discussion of the Function of Gender in Francis Ford Coppola's Bram Stoker's Dracula | 4.5 |
| A Discussion of the Relationships between Women and Men in Several Works of Film Noir . | 17 |
| A Divided Vision: The Renoir-Hitchcock Continuum in Francois Truffaut's Shoot the Piano Player and The Bride Wore Black . | 6 |
| A Film and Novel Study: The Film and the Novel Adaptation in the Lord of the Flies. | 4 |
| A General Analysis of the Film: The Wizard of Oz (1939) by Victor Fleming | 10 |
| A Historic Analysis of the Movie Spartacus by Stanley Kubrick. | 11 |
| A Literary and Genre Analysis of the film: The Man Who Shot Liberty Valance by John Ford | 4 |
| A Passage to India. | 3 |
| A Question of Auteurism: Cinematic Productions and Critical Responses. | 4.5 |
| A Reading of the Film The Three Penny Opera . | 4 |
| A Review of Marlene Booths Documentary Yidl in the Middle: Growing Up Jewish in Iowa | 3 |
| A Review of Rocky and Rambo Within the Genre of Action. | 4 |
| A Textual Analysis Of The Bicycle Thief . | 5 |
| Abnormal Psychology. | 3 |
| Addressing Dating Rituals Through Film: Cultural and Social Expectations in "Notting Hill" and "The Bachelor". | 5 |
| Addressing the Film "Traffic": The Drug Trade and its Impact. | 3 |
| Addressing the Psychopath Hannibal Lecter In "Silence of the Lambs". | 4 |
| Addressing the Topic of Communism In Three Films from the Cold War Period. | 5 |
| Aging and Fried Green Tomatoes . | 5 |
| Alfred Hitchcock's Lifeboat : A Thesis On Unity and the Unknown. | 5.5 |
| Alfred Hitchcock's Shadow of a Doubt Forcing Perspective on the Viewer. | 6 |
| Alfred Hitchcock's Shadow of a Doubt: A Dark Mirror of German Expressionism. | 3.5 |
| Alfred Hitchcock: An Analysis. | 8 |
| Alma, Hitch, Niece Charlotte and Uncle Charlie: Are They all One in the Same | 7 |
| America From 1820-1860: An Era Of Progress | 3 |
| American History X: A Critique. | 4.5 |
| An Analysis North by Northwest by Alfred Hitchcock. | 7 |
| An Analysis of "The Last of the Mohicans". | 4 |
| An Analysis of 3 Movies by Alfred Hitchcock. | 4 |
| An Analysis of Tidy Endings by Harvey Fierstein. | 3 |
| An Analysis of Afro-Americans in American Film. | 4 |
| An Analysis of Cold War Films: Comparing and Contrasting Qualities Found Within Three Films. | 5 |
| An Analysis of Goodfellas. | 4 |
| An Analysis of Historical Fashion in the Film Pride and Prejudice (1940) | 5 |
| An Analysis of John Grierson: A Documentary Film, Educational Philosophy, and Historical Perspective in Filmmaking | 6 |
| An Analysis of Negative Representation of Disability in Modern Cinema | 3 |
| An Analysis of The Graduate. | 5 |
| An Analysis of The Shining. | 3 |
| An Analysis of Three Movies by Alfred Hitchcock. | 4 |
| An Analysis of Two films: "Platoon" and "Apocalypse Now". | 6 |
| An Analysis of the Article: Betrayed Into Motion: The Seduction of Narrative Desire in M. Butterfly by Tina Chen. | 4 |
| An Analysis of the Broadway 2000 Production of The Real Thing by Tom Stoppard. | 9 |
| An Analysis of the Film Patch Adams. | 3 |
| An Analysis of the Film, Easy Rider. | 4 |
| An Analysis of the Importance of Legend in The Man Who Shot Liberty Valance by John Ford and 1984 by George Orwell | 5 |
| An Analysis of the James Bond Film: The Graphic Design of Robert Brownjohn | 4 |
| An Analysis of the Mission. | 3 |
| An Analysis of the Movie Good Will Hunting and the Main Characters Will Hunting and Sean Mcguire. | 10 |
| An Analysis of the Movie Aliens. | 3 |
| An Analysis of the Movie Logan's Run. | 6 |
| An Analysis of the Movie Spaceballs. | 3 |
| An Analysis of the Movie Star Wars. | 3 |
| An Analysis of the Movie The Fisher King. | 6 |
| An Analysis of the Movie: "O Brother, Where Art Thou" | 8 |
| An Analysis of the Poem/Film, I AM Joaquin , the Film Chicana and Their Involvement With the Chicano Movement. | 4 |
| An Analysis of the Popularity of Blair Witch Project the Movie. | 3 |
| An Analysis of the Sacrament of Marriage in the Film Moonstruck | 3 |
| An Evaluation of Dead Poets Society | 4 |
| An Exploration of Elements of Auteuristic Discourse in Federico Fellini's 8 + and Francois Truffaut's Jules and Jim . | 13 |
| An Ideological Analysis of Stepmom and Falling Down . | 6 |
| Analysis of Passage B from Mary Shelley's "Frankenstein". | 3 |
| Analysis of Society in the Movie | 6 |
| Analysis of The Movie New Jack City . | 6 |
| Analysis of the Film Fargo Including Characterization technical aspects and scene analysis. | 6 |
| Analysis of the Film Fargo. | 6 |
| Analysis of the Film: Bridge Over the river Kawai. | 3 |
| Analysis of the Truth in the Film "Bulworth". | 4 |
| Answers Some Questions About The Films. | 7 |
| Antonioni's L'avventura and Blow-Up and Fellini's Otto e mezzo as works of Self-Reflexive Auteur Cinema . | 8 |
| Antz ~ A Political Allegory. | 3 |
| Apocalypse - The Movie | 4 |
| Apocalypse Now and Heart of Darkness. | 8 |
| Apocalypse: The Movie. | 4 |
| Aristotelian Trash: Conflict and Classic Melodrama in Dead Poets' Society . | 5 |
| Art to Activism, Boys Don't Cry | 7 |
| As Good As It Gets: An Interpretation. | 3 |
| Asian Cinema and Hollywood: A Consideration. | 9 |
| Assessing "The Maltese Falcon" as the Epitome of the Film Noir Genre. | 6 |
| Assessing Two Films in Terms of Audience Response. | 6 |
| Assessment of the film "A Passage to India." | 3 |
| Authority in Tartuffe | 3 |
| Awakenings: Comparing the Novel and Film. | 5 |
